Large Drymba

The large dram of Viktor Pyatochenko meets almost all the requirements for the Shamansky jaw harp: it is deaf, similar to low, sound; small volume, authentic appearance of both the instrument and the case. In this context, special attention should be paid to the patterns on the reed, unique and unique, and a mysterious face, schematically depicted on the case. The only thing that is missing is mechanical vibrations, without which, from time immemorial, advancement up the shamanic career ladder was not possible. The jaw harp essence here is about the same as that of middle-range - just a lower pitch. The respiratory part is also accentuated, the reed is bent, stability is quite high in variable strokes. The gaps are even bigger, the sound is even softer. A good thing for ventilating the lungs and playing "air", but only in the absence of extraneous noise - the volume of jaw harp is low.