Vargan with high volume and sensitivity with a bright, piercing and dense sound and a tongue of increased stiffness. Any sound produced on it attracts the attention of others and thanks to the frequency spectrum it breaks through noise and other instruments. When using the same with other harp, DG569 strives for unconditional domination, and efforts have to be applied already to contain all the tearing outwards. In older models, a long knee and a large ring facilitate clinging, which increases the amplitude of the oscillations, but complicates microcontrol. The instrument's edge is a dynamic, colorful game with strikes of any intensity in one direction, preferably on oneself (with a backward impact there is an average degree of noticeability, and the main sound is not quite clear) without using real overtone nuances and nuances. The best choice for those wishing to pick the whole world in one fell swoop.

Since 2014 all DG harpoons are made with a short knee and a small ring, making the mechanics close to ideal. The blow from yourself is safe and simple; There are practically no mechanical sounds, but the timbre remains the same "saturated by 150%".